The
Artful Obit:
They’ve been referred to as “biographical
haikus”—succinct
yet poetic prose that captures the essence of who we are, and how
we lived. Given slightly more room to write, they can read like a
passage from literature. Always about people from various walks of
life—like the bank teller who coached
basketball after work or the iconic, macho, mystery writer who died
on the same day. When you pick up the newspaper these days, you may
notice that some of the most illuminating, poignant and memorable
stories are on the obituary page.
Freelance writer Marilyn Johnson celebrates the art
of writing obituaries in her recently published book, “The
Dead Beat: Lost Souls Lucky Stiffs and the Perverse Pleasures of
Obituaries.” Ms. Johnson (who writes with humor and passion,
and is unapologetic about what she does) has written obituaries for
Princess Diana, Jacqueline Onassis, Katherine Hepburn, Bob Hope and
Marlon Brando––says that more and more people are
realizing that you don’t have to be a celebrity to have a well
crafted, memorable obituary to publish in newspapers and online.
Possibly because the second wave of baby boomers is already past
50, Ms Johnson confirms that more people are reading obituaries than
ever before. She welcomes the shift that obituary pages have taken
from relative obscurity into their “Golden Age.”
“Obituarian” is a new word for a new service. My clever friend
Jim
Herwitz coined it to define someone skilled in the art of writing obituaries.
Not death notices stacked with obligatory information––but rich,
textured stories similar to the many profiles I did when I worked as a general
assignment correspondent for Newsweek Magazine. Of the hundreds of stories that
bare my byline the most memorable are the profiles, always filled with
interesting anecdotes, life lessons, colorful idiosyncrasies and telling details
that helped explain what made that person tick. To a writer, an obituary is simply
a profile only published at the conclusion of life. Link to Jim Wilson
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